Showing posts with label Fashion. Show all posts
Showing posts with label Fashion. Show all posts

Friday, 19 March 2010

Interview with the man behind To Die For Clothing, Jason Welsher

As the owner of To Die For Clothing, Jason Welsher, along with his brother, Josh 'Deph' Welsher, has seen the company grow from its humble garage-printed origins to its current state as an internationally recognised brand. Counting bands such as Bleeding Through, Throwdown and Parkway Drive among their fans, the brand is known for its collaboration with world class artists such as Greg 'Craola' Simkins, Tim Hendricks and Gunnar.

In an exclusive interview, Musical Scares talks to Jason about the brand's origins, the artists they've worked with and where the future will take To Die For.

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Who are you, and how would you sum up To Die For for somebody that's never heard of the company?

My name is Jason Welsher and I co-own the brand along with my brother, Josh “Deph” Welsher.
To Die For is a product of two brothers love for music, art, skateboarding, and family.

 Jason & Deph



Why did you decide to start To Die For? Did you have an interest in fashion?

I played in a band and always wanted to make shirts to sell at our shows. After doing the research I found that it was easiest to buy the equipment and make them in my own garage. Other bands we played shows with started noticing our shirts and began to ask me if I could print theirs as well. Word started to spread like wild fire and after a couple of years I moved out of the garage and into our first warehouse. Business began to grow and before we knew it, I started to get calls from clothing brands such as Paul Frank and RVCA that were in the area, on top of the bands we already had been working with such as Throwdown and Eighteen Visions. After a couple years of printing, Deph and I wanted to take it a step further and make our own merchandise to sell at the shows that were coming through town. Doing this not only built a new brand within the scene that we catered to, it also helped promote the printing side of our business by showing others what we were capable of with making great quality clothing with clean screen prints. Deph and I never had a passion for fashion, just had a love for great artwork on t-shirts.

A lot of companies spring up and die away without causing so much as a ripple, why do you think To Die For is still going strong after all this time? 

I’ve always said that having a clothing brand is the same thing as playing in a band. It’s what you make of it and how much energy you put into it. It’s also being at the right place at the right time. People tend to think making clothing is easy and it is. It’s the business, the marketing, and figuring out who is your customer that makes it tough to get through the beginning stages. Nowadays it’s possible to make anything you lay your eyes on due to the internet. We knew from the start who and why bands and fans watching at the shows would wear our clothing. Time will tell. If you stick around and pay your dues, people will start to notice, and they did.


Having been established since 1997 you'll have seen a lot of fashions come and go, how do you avoid blending in with the rest of the pack? (Especially with a lot of designers using tattoo designs on their clothing of late)

Unless you have no clue about tattoo or graffiti culture, you can point out the fakes. Fakes jump on a band wagon and do things for the love of money and sale to the masses. These people are called licensee’s. They buy artwork from well known artists and plaque it and anything and everything that it will stick to. These people follow trends and flood the market and have a lifespan of 2 years. Our artwork is real and has a beating heart. If you know anything about what we do or create, you will see that we do things for a reason. We create and work with artists that have made a name for themselves and have the experience and knowledge to lead and help grow the industry the right way.

To Die For is now a global brand, did you ever expect the company to grow as large as it has?

From the outside we look larger than we really are, but there is still a ton of work to do to be where we want to be. It’s going to take at least another 2 years to be close to the size we want to be.

How large of a part has the internet had to play in To Die For’s success?

The internet plays a big role in our company’s sales and success. I would say at least 35%. We work hard at keeping the site up to date with fresh products and news. Since day one we have controlled our online store and shipped our own products. We really like the one on one experience direct with our customers.


You work with a wide range of artists, from tattooists like Tim Hendricks to graffiti artists and painters like Greg “Craola” Simkins, Chris “Devious” Gliebe and Gunnar. Is there a selection process for choosing who to work with? I imagine you're inundated with requests from artists to get their work on To Die For products.

The artist we have chosen to work to date, have all been amazing! It’s not only the artwork style we are after, we want the artist to have the right attitude about the collaboration concept. The business side can easily get in the way of a new relationship with an artist but that hasn’t been an issue with us. We make sure to lay all our cards out on the table from the start so we both know exactly what is needed from one another to build the foundation of other collaborations to come in the future. We rarely get asked to do artwork collaborations, these days. I think word got around that we are too picky-hahaha. There are tons of great collaborations to come. Just because we like a certain artist’s work, doesn’t necessarily mean that it will come across the same on a garment. It’s tricky!

Are there any artists you would like to work with who you haven't?

Not really. All the artists I follow and love have worked with a clothing company already or choose to create their own products rather than collaborate with a company such as ours. The only reason I don’t reach out to them is we’ve had too many companies over the years do this with the artist we’ve worked with and helped build. I don’t get it. Why can’t brands find new up and coming artist? It’s like a friend of yours dating your ex-girlfriend without asking you first.

The TDF store has recently started stocking DINGs, are there any other products that you would like to see baring the To Die For name and designs other than clothing? 

Totally. Here are some of the avenues we may or may not have explored in the past but one day will work on: Drag Racing Cars, Shoes, Bedding, Shower Curtains, Wall Paper, Toiletries: After Shave, Shaving Cream, Bar Soap, Sanitizer, Shampoo, Face Wash, Chap Stick, Deodorant & Hair Pomade


What's next for the company?

We just launched our Mens “Summer” 2010 line and released four of the styles for pre-order on our site. So far the response has been amazing. Some of our distributors and retail chains are saying it’s the best line to date. This is great feedback considering I’ve sat back and took notes that last 2 years on what is and isn’t working for us and implemented this into our latest line. We are holding on Women’s and Accessories for now. Those will be released slowly in the next couple months. On top of the latest styles we’ve been speaking to a distribution company that has been interested in the brand for the last three years. Deph and I have been at this for far too long and are ready to give up some control. Yes, we are major control freaks but the brand is at the level that if we don’t begin to get some help from other interested parties, we are going to hurt ourselves in the end. It’s been an interesting journey and we’ve learned so many great things by taking chances and making mistakes. This year is going to be the year that we take all the lessons learned, step up to the plate to bat, and hit homeruns.

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Thanks so much for Jason for taking the time out to answer these questions.

To Die For Clothing's men's 2010 summer range is currently available to preorder here, while their full range can be viewed on both www.todieforclothing.com and www.myspace.com/todieforclothing





Friday, 5 February 2010

Greg 'Craola' Simkins Interview!

Greg 'Craola' Simkins is famed for his artwork, whether it's his stunning graffiti work, with crews like LA's CBS and WAI, or his fine art work, blending renaissance and surrealist elements with handfuls of modern pop culture references.

Craola's art can be seen across the world thanks to his work with clothing companys such as To Die For and Zerofriends, but fans can now get their hands on merchandise direct from Craola from his new Imscared label.

I caught up with Craola and asked him about the label, his art and more:

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MS: So, what attracted you to creating your own clothing brand?

Craola: I have been working on graphics for various brands since about 1992. It just made sense to work on something more focused.

'Mary Becoming Annette'

For a long time you've worked on designs for other clothing companies, how different is it working on designs for your own label?

The majority of companies I worked on in the early years weren't always things I would wear myself. It was good to be working, don't get me wrong, I appreciated the opportunity to earn some income while making art. There was a lot of art direction and watering down that went on, as well as my own limitations. The exceptions being in more recent years "To Die For" , "Upper Playground" and "Zero Friends" who I enjoyed a great working relationship with and plenty of creative freedom. Working on my own label is very similar to working with them, but instead, it is my ideas and my name at stake. I started my "Imscared" website in 2002 or so as a showcase for my artwork. Greg Simkins.com was already taken, so "Imscared" just made sense with the type of work I was making. When we started talking with my friends at "To Die For" who head up the production and are the driving force behind the line, about what we would call it, many different names came up, "Blak Rabbit" was one I liked, "Ima Monsta" made sense as well as a few others, but "Imscared" worked best. It is great to have such an awesome team who I share so many interests with and live relatively close also.

Your art style is very distinctive, what's the inspiration behind your characters?

The majority of them are a good mix of animals, cartoons and comics with a little fine art, tattoo imagery and graffiti thrown in. It seems like they keep changing though and I don't hold to one set of criteria, just let the imagination lead me.

'Winter On The Sea Of Glass'

Having included everything from Batman to Pacman in your work, what, for you, is the appeal of using pop culture images?

I believe that I am a product of my environment, having grown up with these images has forever infused them in my creative data base. It isn't always a conscious process. There is that readily accessible bank of emotions and feelings associated with a pop icon as well that can add to the story if placed appropriately. Throwing Yogi bear in a scene brings his back story into the image you see in front of you. Using pop culture imagary brings there backage with them into your juxtapozition.

Your paintings also include a lot of surrealist and renaissance elements, are you influenced by any artists in particular?

Yes, Caravaggio has always been a favorite as well as Hieronymous Bosch, Salvador Dali, Rembrandt, Jan Van Eycke, Albrecht Durer, Magritte, as well as others.

'It Wanders'

As both a fine art and graffiti artist, have you found that any of the skills and techniques transfer from one to the other?

Yes, but I think that is true with just about any skill set in life. Making art is a practice in problem solving and one aspect always lends itself to the other. Working as a texture artist on video games for five years day in day out on Adobe Photoshop and Illustrator and some 3D Studio Max I thought was going to dull my manual skills with a pen, brush and can. It just enhanced them.


There are a lot of young artists out there who'd love to make the jump to painting for a living, was it a difficult step for you or was it your ambition from day one?


I didn't start painting with the intention of doing it for a living. I did it because making art is the only thing I have ever been somewhat good at and completely obsessed with. I can't not paint. It still blows my mind that I am doing this and I thank God everyday for the opportunity to d so. It wasn't easy wrapping my head around it and quitting my stable job in video games. But it was a now or never situation and I am glad we (we being my wife and I) made the choice to try it. I wouldn't say it is for everyone, lots of hours and stress like everything else in life, but it is the most fulfilling work I have ever done.

'The Puppet Pathos'

Do you have any tips for any aspiring artists out there?

Make sure it is something you are obsessed with and can picture yourself doing for a long time. Don't try to take short cuts but take the time to learn and do it right. Don't expect to be rich from it either. Make sure you are making art for the right reasons, it needs to be something you can't live without doing.

Are you working on anything new you'd like everyone to know about? Any collaborations coming up?

Still pressing forward with the "IMSCARED" line and everything that goes along with it. I have my first book being released later this year with Presto Publishing and working on some larger scale paintings. In June I will have a new body of work in a solo exhibition at Joshua Liner Gallery in New York as well, so lots of work to do.

The Genie

And finally, if you had to name 5 artists that you think the readers might not have heard of, but should check out, who would they be?

How about I give you 10. You probably already know these artists, but they are my favorites so I am going to name them anyways: Alex Pardee, Gunnar, Adam Hathorn, Deph, Bob Dob, Mars-1, Oliver Vernon, Lola, KMNDZ, and Steven Daily...that's not to mention Dabs and Myla, Matthew Bone, Travis Louie, Jason Maloney, Augor, Kris Kuksi, and Belin, whoops that makes 18...



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Thanks alot to Greg 'Craola' Simkins for the interview, and you can view his work and browse his online store at www.imscared.com

All images included in this post are © Greg Simkins